“The best thing I ever do for my writing is to take a walk alone in the woods behind our house. Nothing else gets my writing juices flowing so well. And yes, I think that I absolutely need more quiet in our current fractured world.” For Poets & Writers, novelist Leesa Cross-Smith interviewed fellow writer Silas House about quiet books and the importance of nature in the writing process. Pair with: our own Emily St. John Mandel on the pleasures of quiet books.
“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
“A chemist colleague of mine runs a seminar in which art and science are brought together. And one such session was devoted to olfaction. And there was an olfactory physiologist from Columbia and a friend of his, a parfumier. Forgive my French accent. And the parfumier had made something unlike anything ever encountered on earth. And it had a very strong smell which aroused no associations and could not be compared to anything. One realized this was absolute novelty.” The Rumpus interviews Oliver Sacks about his new book, Hallucinations.
“Women writers and writers of color don’t really have the luxury of being known simply as writers. There’s always a qualification,” Roxane Gay writes for The Nation. She ponders what it means to be a “black woman writer” and concludes that we should view diversity as a search for “urgent, unheard stories.”
This week poet Mark Baumer was struck and killed by an SUV while walking barefoot across the country. Baumer, 33, began his cross-country walk to raise awareness about climate change, and was documenting the journey on his blog (as well as Instagram and YouTube). Florida, where he was killed, was recently ranked “the most dangerous place for pedestrians” in the United States.