Our own Bill Morris has a piece in Artes Magazine about a landscape painter, Rackstraw Downes, who is finally “having a long-overdue moment.”
Appearing Elsewhere
Dostoyevsky, Babel, Brodsky, Pussy Riot?
In their closing statements, Russian dissidents du jour Pussy Riot cited the authors who inspired them and placed themselves in Russia’s rich history of imprisoning their artists. Also check out Carol Rumens’s excellent translation of the song that landed Pussy Riot in hot water.
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Tuesday New Release Day
New releases this week are Lydia Davis’ new translation of Madame Bovary, Ingrid Betancourt’s memoir Even Silence Has an End, The Prizefighter and the Playwright, a book about the unlikely relationship between George Bernard Shaw and boxer Gene Tunney, and the poetry collection Human Chain by Nobel-Prize winning poet Seamus Heaney.
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“Ah the world, oh the whale!”
“Ah the world, oh the whale!” At The Washington Times, my review of Philip Hoare’s wonderful new anatomy of all things cetacean, The Whale, winner of the prestigious Samuel Johnson nonfiction prize. (ECW)
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De Sangue
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
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Shots Fired
“While I’m glad we’ve had this chance to talk, because of time constraints I cannot answer these basic questions about race and how racism works.” Colson Whitehead considers new business cards. See our review of his Pulitzer-winning The Underground Railroad here.
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