The Republic of South Sudan has declared independence. Just three years ago, Dave Eggers published Out of Exile: Narratives from the Abducted and Displaced People of Sudan (Voice of Witness). The Guardian has an excerpt. A year later, Jamal Mahjoub foresaw the secessionist fervor south of Darfur.
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.
Millions readers in New York: Please join us tonight at McNally Jackson bookstore in Manhattan to celebrate the release of The Late American Novel: Writers on the Future of Books. I'll be joined by my co-editor Jeff Martin, as well as Reif Larsen and some of the book's other contributors, including Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. We're looking forward to seeing you there!
For San Francisco readers: There's a new show of huge, surreal paper mache animal sculptures up at The Mission Cultural Center for Latino Arts (December 4-17th). These paper beasts, featured in the San Francisco Symphony's performance of Camille Saint-Saens "Carnival of the Animals" and created by local artist Colette Crutcher and her students, will be auctioned off to benefit the MCCLA at a party open to the public on December 17th.
"In the silence, there is solitude. In the solitude, there is silence. This is the whole point of technology. It creates an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature." Don DeLillo, author of White Noise, "reviews" Taylor Swift's white noise for The Atlantic.
Here's everything you've ever wanted to know about the communion wafer's place in free-market capitalism.