New this week is the latest Scandinavian sensation, The Hypnotist by “Lars Kepler,” who after a literary manhunt, was revealed to be a husband-and-wife team. Also out this week is a new novel by wunderkind Stefan Merrill Block, The Storm at the Door.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
Portland-based Publication Studio is hosting a whirlwind series of events in New York next week. They kick off the weekend with an evening mixer at the Museum of Modern Art on Thursday, April 19; continue with a conversation between landscape architect Diana Balmori and PS co-founder Matthew Stadler at Printed Matter, on Friday, April 20th; and end with a lavish sit-down dinner, cooked by Ben Walmer of the Highlands Dinner Club in the Harlem speakeasy where HDC got its start, on Saturday, April 21.
“The older I get, the more my own boundaries seem to be fading, which is terrifying and fascinating in equal measure.” For The Paris Review, Lucie Shelly interviewed Lauren Groff about nature, spirituality, and her newest collection, Florida. (Our review called the collection “startling and precious.”)
In the beginning was the word, and the word was plagiarized, and this regular old plagiarism was bad. But then Jonah Lehrer taught us about self-plagiarism, and that was bad, too, but somehow less so. And now Jane Goodall is teaching us about Wikipedia plagiarism, which seems bad as well, and you know what? It’s hard to grade these things anymore. What’s next? David Bowie cribbing lines from T.S. Eliot?