Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn’t you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die.”
“The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day.” James Baldwin on the artist’s struggle for “integrity.” Here’s a bonus piece from The Millions on Baldwin, race, and fatherhood.
3 Quarks Daily is running an Arts & Literature Prize to find the best blog writing in that category. Millions readers, we’d love it if you nominated some of your favorite Millions pieces from the last year for the prize.
A true genius is someone who’s talented and accomplished enough to work in the publishing/literary crucible of New York City, but who’s also smart enough to know that working in New York City is nothing compared to working in Key West, Florida. That’s right: the Key West Literary Seminar is hiring.