Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: “That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential.”
“Four years after first announcing the decision to open the prize to Americans, the Booker is virtually indistinguishable from its competitors. It is exactly what many feared it would become: corporate and daft.” Alex Shephard writing for The New Republic about why the Man Booker Prize isn't interesting anymore. Still, should you want to know who's shortlisted this year, here's our roundup.
Recommended Reading: Sarah Sansolo on her childhood obsession with Britney Spears.
I’m thinking about installing a Delaney Nolan bat signal to alert the world of her new work whenever it appears. Previously I’ve evangelized about her writing in Guernica, Necessary Fiction, Sundog Lit, and The Rumpus, but this time I’d like to call attention to her photo essay about New Orleans in the latest issue of Oxford American.
"A film based on a historical subject, even a beautifully shot one, can remind us without meaning to that although reading in the US is a minority activity, the book is still the only medium in which you can make a complicated argument." Darryl Pinckney writes about "Some Different Ways of Looking at Selma" for the New York Review of Books. Pair with our own Bill Morris's Millions review of the film.