With Naipaul and Theroux making nice, the Times asks Christopher Hitchens what makes for a good literary feud these days: “A really first-rate bust-up must transcend the limits of ‘an entertaining side show’ and involve playing for high moral and intellectual stakes”
Hitchens on Literary Feuds
“You are all going to die”
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
Reactive Female Characters
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
Where to Submit Poetry in 2019
Is it possible that you have not yet compiled the highly detailed spreadsheet of poetry journals, submission dates, and contests that every aspiring poet must make before sending out a single poem for consideration?
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Solzhenitsyn Stories
Nine stories by Alexandr Solzhenitsyn will be released in English for the first time. They are described by scholars as “ranking alongside his best work.” The collection will be entitled Apricot Jam: and Other Stories.
Crowd-source Everything
In addition to the fact Amazon reviewers and experts agree “in aggregate about the quality of a book,” non-professional reviews on Amazon tend to be “more eclectic,” “more supportive of debut authors,” and less biased in favor of authors with whom they associate than media experts.
The Grenadier
Recommended Reading: Leo Robson’s review of a new book of essays by Craig Raine.
Qiu Miaojin’s Survival Guide
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
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