With Naipaul and Theroux making nice, the Times asks Christopher Hitchens what makes for a good literary feud these days: “A really first-rate bust-up must transcend the limits of ‘an entertaining side show’ and involve playing for high moral and intellectual stakes”
Hitchens on Literary Feuds
Looking Back
The Morning News “gathered writers and thinkers around the world and asked them to sift through the past year of revolutions, deaths, discoveries, and breakthroughs to answer: What was the most important event of 2011?”
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People Truly Engaged in Life Have Messy Houses
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
A Rear Window Darkly
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
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