It’s déjà vu all over again in comic book land: The New York Times reports that by September DC Comics will have restarted all 52 of it DC Universe comic book lines, each with a new No. 1 issue.
Pacific Standards profiles Ken Layne who quietly started the popular quarterly literary magazine, Desert Oracle for a town of 8,000 people. Now it has gained far more readers than that as it highlights works related to the American desert. “The reason that the Oracle works is that it’s always trying to elicit that feeling, the awe and wonder that the desert reveals to you when you listen hard enough. Layne believes it’s not an accident that religious awakenings, UFO sightings, walkabouts, and other revelations occur in the desert. It’s a consequence of solitude, stark beauty, and the tenacious life that only the desert has.”
“If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens.” At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here’s one of his favorites from Lolita: “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art.”
“He was surely the greatest literary editor there has ever been – brilliant, autocratic, endlessly curious and possessed of an extraordinary fund of knowledge about a vast range of subjects. True, he was not always easy to deal with, but when has the best ever been easy?” John Banville on the late Robert Silvers.
It was the height of the feminist revolution and one man was trying, unsuccessfully, to publish a book about a man amidst a midlife crisis. 25 years later, Esquire editor Gordon Lish read sections of An Armful of Warm Girl in a literary magazine and demanded that Knopf reconsider publishing it (they did). This week over at Bloom, Nicki Leone dives into the work of W.M. Spackman, the man often referred to as “Fitzgerald‘s literary heir.”