Michael Chabon and Ayelet Waldman are teaming with Darren Aronofsky on an HBO pilot, Hobgoblin.
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.
It almost sounds too terrifying to be true. Your book is reviewed by Christopher Hitchens in the New York Times Book Review and he opens with: “This is an extraordinarily irritating book” (and it gets worse from there, and deservedly so). It happened to David Mamet and his new book The Secret Knowledge.
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
Recommended Reading: Sarah Gerard records her phone calls with inmate Matthew Seger as he tries to find time to write in prison. “I feel like all of these ideas I have will someday, maybe, be of some use. I don’t want to let any of them go.” We interview Matthew Parker, the author of the graphic memoir, Larceny in My Blood: A Memoir of Heroin, Handcuffs, and Higher Education.
Kundiman, an organization dedicated to “the creation and cultivation of Asian American poetry,” is now accepting submissions for its annual Kundiman Poetry Prize. One winner will receive $1,000, book publication with Alice James Books, and a featured reading in New York City. The deadline is March 1, 2013.