Michael Chabon and Ayelet Waldman are teaming with Darren Aronofsky on an HBO pilot, Hobgoblin.
It’s “Bulgaria Week” at Granta, and you can celebrate by reading two of Ivan Landzhev‘s poems, a short story by Rayko Baychev, a piece by Georgi Tenev, and many more. In case that isn’t enough, however, FiveChapters has posted Miroslav Penkov‘s “Makedonija,” and he has a short essay on the FSG Work in Progress site.
Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.
Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
Featuring missing titles from Cormac McCarthy, Margaret Atwood, Stephen King, Roberto Bolaño, Vladimir Nabokov et al., The Missing Books is a project by Scott Esposito to assemble “a curated directory of books that do not exist, but should.” If that puts you in the mood for further Borgesian hijinks, consider Sam Allingham‘s piece about a summer spent cataloguing books in a university library basement.
“I can still remember with complete clarity the way I felt when whatever it was came fluttering down into my hands that day 30 years ago on the grass behind the outfield fence at Jingu Stadium; and I recall just as clearly the warmth of the wounded pigeon I picked up in those same hands that spring afternoon a year later, near Sendagaya Elementary School. I always call up those sensations whenever I think about what it means to write a novel.” Haruki Murakami on “The Moment [He] Became a Novelist,” excerpted on Lit Hub from the new double edition of his first novels, Wind/Pinball.