Gay Talese’s highly detailed accounting of his daily routine — what he reads, how he works — is fascinating.
“And now An American Marriage, with its ruminations on masculinity, married life, and what constitutes marital debt, manages the trick of arriving at the right time while also feeling utterly untethered to just one era.” BuzzFeed News profiled writer Tayari Jones about her life, oeuvre, and fourth novel, An American Marriage. Pair with: Jones’s 2017 Year in Reading entry.
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri’s In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
Lena Dunham is the new voice of the Archie comics generation. The Girls creator will write four issues of the famous comic, coming out in 2015. She’s not the only woman joining the comics industry. DC Comics is adding a Native American teenage girl, inspired by the real Canadian Aboriginal teen activist Shannen Koostachin, to the Justice League United.
If you haven’t gotten enough of literary New York quite yet, here’s what the Guardian (UK) thinks you should be reading about “the American dream concretised in a shimmering mirage, the burgeoning metropolis of hope built on foundations of money, drugs and exploitation.” Less judgmentally, Grantland’s Kevin Nguyen focuses on two new books set in Queens, recommending High As the Horses’ Bridles by The Millions’ own Scott Cheshire, which is no Brooklyn hipster novel: his opening scene (“among the finest published this year”) has a 12-year-old offering a prophecy of Armageddon.