Amanda Hocking, 26-year-old self-publishing wunderkind, earns a New York Times Magazine profile describing her road to a $2 million deal with St. Martins for rights to her ten novels including My Blood Approves and Hollowland.
After visiting more than 2,000 of America’s independent bookstores, Kate Brittain found herself thinking their demise might not be so inevitable. The cards, she writes, remain stacked against them, but they nonetheless offer a few things that may well keep them in demand. Pair with: our tribute to e-book pioneer Michael Hartt.
Jeff Vandermeer's Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful "glimpse of a whole that’s, by its nature, unknowable"? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
The website Victorian Serial Novels lets you experience 19th-century novels "serially and in their cultural contexts." Select your author, the timespan within which you want installments to come, and enjoy. How to choose what to read first? Not to worry, these six Dickensian experts have you covered.
We once wondered if Lionel Shriver is America's best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin "is a far better film than I had any reason to expect them to be able to make."
The first reviews of Zadie Smith's new collection of essays, Changing My Mind, are in and the general line's a non-committal, guarded praise. I think it's wunderkind jealousy, myself. Voici: The L.A Times review and The San Francisco Chronicle review.