Big media news today: “Jill Abramson, a former investigative reporter and Washington bureau chief for The New York Times, will become the paper’s executive editor, succeeding Bill Keller, who is stepping down to become a full-time writer for the paper.”
Abramson Taking Over at the Times
Where She Was From
For only $1.65 million, you can have a piece of Joan Didion’s childhood. Her high school home, The Didion House, is on the market in Sacramento. Before you make a bid, it might be good to brush up on California with Didion’s 2003 memoir, Where I Was From.
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Shenandoah Online
After publishing print editions for 60 years, Shenandoah has entered the digital game.
You Come at Nabokov, You Best Not Miss
It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
Sick and Wrong
Recommended Reading: Dan Kois on his favorite books of the year. On Alissa Nutting’s Tampa, he writes: “Tampa mixes deadpan social satire, lurid true-crime storytelling, and out-and-out porn into a poisonous stew.”
Jonathan Lethem’s New York
At The Rumpus, Richard Greenwald writes about the novels of Jonathan Lethem, urban gentrification, and the Sisyphean feat of achieving authenticity in New York.
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Imaginary Oklahoma
“Imaginary Oklahoma” is an ongoing platform at This Land Press in which “some of today’s most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home.” New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled “Always and Forever.”
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Yea or Nay
In the mid-90s, David Foster Wallace published a scathing review of a John Updike novel, Toward the End of Time, that became a key text for critics of the celebrated author. Now, at The New Republic, David Baddiel argues that Updike gets a bad rap, while Jeffrey Meyers backs up DFW’s position. It might also be a good time to read James Santel’s review of Updike’s Collected Stories.
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