In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
Amazon collected some of the funniest, top-voted reviews from customers on its website. “Occasionally customer creativity goes off the charts in the best possible way,” they said. Of course, there are also plenty of examples of customers going off the charts in the worst possible ways, too.
"In the years before my book came out, I was writing frantically. I remember a week when I was working late at my job, late enough that the buses had stopped running and I had to take a cab home, and I still wrote into the night, trying to finish an essay I had promised an editor. Now I see that I was trying to race against time. I had believed, however irrationally, that there would be a moment beyond which my voice would be taken away from me and I would no longer be able to write." On writing and tenacity.