In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
Why is historical fiction maligned?
In Their Own Words
The translators behind books such as Don Quixote, My Struggle, and Swann’s Way talk about their translation process. Lydia Davis explains, “When I was translating novels, I would not read the text first, and that was very important to me because it let me retain the excitement of the unknown.”
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Tuesday New Release Day: Dyer, Aira, Wilson, Iyer
Zona, Geoff Dyer’s book about Tarkovsky’s film Stalker, is out today. Also hitting shelves are César Aira’s Varamo, Adam Wilson’s Flatscreen, and Lars Iyer’s Dogma. We were looking forward to all four of these books to start the year.
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Who do you Write Like?
Do you write like Stephen King? Or how about Chuck Palahniuk? That’s what the I Write Like website told me when I entered my work into their little magical computer program–of course, I had to do it more than once!
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Tuesday New Release Day: Hanif, Grossman, Barnes
New this week is Our Lady of Alice Bhatti by Mohammed Hanif and Lev Grossman’s The Magician King and Julian Barnes’s Booker-winning The Sense of an Ending are out in paperback.
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A Cemetery Wording Expedition with Alex Thurman
During the pandemic, librarian Alex Thurman discovered Brooklyn's Green-Wood Cemetery and its fascinating grave marker inscriptions that happened to be common English words.
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The Morning News Tournament of Books
Emma Straub declares Julian Barnes‘s Sense of an Ending fitter than Donald Ray Pollock‘s The Devil All the Time in the opening round of The Morning News Tournament of Books.
Secrets of the Game
Following the successes of Moneyball and The Art of Fielding, young writers with an eye on their book sales are growing more interested in writing baseball books. Fortunately for them, Luke Epplin wrote a guide.
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