New York Times has a cool feature I was unaware of, letting you browse issues from 1851-1922 in all their original grandeur. Articles are also available for download as PDFs.
TimesMachine
Dido’s Lament
Listen to Tessa Hadley read her story “Dido’s Lament” from the August 8th and 15th issue of The New Yorker. If you’re looking for the Aeneid, we recently had Virgil day here at The Millions.
The Oldest Joke
This week in book-related graphics: The New Yorker takes a poll and ranks the funniest jokes from the world’s oldest joke book, the Philogelos.
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The Electric Mind, The Atavist
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
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Careless Drivers
Can’t keep track of who is driving which car in The Great Gatsby? Pop Chart Lab made a chart of the comings and goings of the novel’s characters via trains, cars, and feet.
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Tuesday New Release Day: Hallberg; McCann; Michel; Roberts; Hickam; Childress; Gass
Out this week: City on Fire by our own Garth Risk Hallberg (whom we interviewed yesterday); Thirteen Ways of Looking by Colum McCann; Upright Beasts by Lincoln Michel; The Mountain Shadow by Gregory David Roberts; Carrying Albert Home by Homer Hickam; And West is West by Ron Childress; and Eyes by William H. Gass. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Patron Half-Elephant
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
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