New York Times has a cool feature I was unaware of, letting you browse issues from 1851-1922 in all their original grandeur. Articles are also available for download as PDFs.
TimesMachine
Tuesday New Release Day: Gray; Wang; Khadivi; Ibrahim; Rieger
Out this week: Isadora by Amelia Gray; Chemistry by Weike Wang; A Good Country by Laleh Khadivi; Season of Crimson Blossoms by Abubakar Adam Ibrahim; and The Heirs by Susan Rieger. For more on these and other new titles, go read our most recent book preview.
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Jonathan Franzen New Yorker Article
Jonathan Franzen writes of Robinson Crusoe, solitude, and David Foster Wallace in his new article from The New Yorker – but you’ll have to like their Facebook page to read it.
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“I was a failed doctor”
“I would have been an abject failure in a writing program. I am not unteachable, but I am probably the only person who can teach myself. I don’t learn extremely well, formally. I wouldn’t even consider myself a very good reader. Maybe a slightly above average reader.” At The Morning News, Robert Birnbaum sits down with Charles Yu.
Emily St. John Mandel on Outrider
Our own Emily St. John Mandel dropped by the Outrider podcast to talk about Australian literary festivals (among other things).
A Necessary Push Forward
Muna Mire has written an incisive and timely essay for The New Inquiry on the Black Feminist classic Black Macho and the Myth of the Superwoman by Michele Wallace. Coinciding with last month’s reissue of Black Macho by Verso Books, Mire’s essay discusses justified anger rightly-directed and the potential utility of Wallace’s “Black Movement” in the context of today’s racially-charged political climate.
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“Getting Angry, Baby?”
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
Joyce Works for Google
“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
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