Phillip Roth wins the Man Booker International prize (a lifetime achievement award that’s a recent invention) and one of the judges steps down in protest. “I don’t rate him as a writer at all.”
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Lena Dunham is the new voice of the Archie comics generation. The Girls creator will write four issues of the famous comic, coming out in 2015. She’s not the only woman joining the comics industry. DC Comics is adding a Native American teenage girl, inspired by the real Canadian Aboriginal teen activist Shannen Koostachin, to the Justice League United.
This fall the University of Iowa’s International Writing Program is offering a free, 7-session live online Advanced Fiction Seminar. The course will run from September 16 through October 28, and it will be taught by fiction writer Nate Brown. Best of all? It’s open to anyone with an internet connection. Applications are due September 6th.
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”