Phillip Roth wins the Man Booker International prize (a lifetime achievement award that’s a recent invention) and one of the judges steps down in protest. “I don’t rate him as a writer at all.”
Elie Wiesel — Auschwitz survivor, Nobel Laureate, political activist, and author of Night — passed away yesterday at the age of 87. Here’s a quote that perfectly captures Wiesel’s essence, from his Nobel Prize acceptance speech: “I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men or women are persecuted because of their race, religion, or political views, that place must – at that moment – become the center of the universe.”
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
“So much has been written about New York City as a city of histories—rich and public, deep and private. Commerce and bodies ebb and flow. For every New Yorker, there is a ghost city under the tangible one; this second, invisible layer contains the tangled web of memory and geography. I certainly have my fair share of associative ghosts; we all do. But New York City is also a city of forgetting, for better and for worse, and often against our best wishes.” Anna Wiener on the coping strategies of New Yorkers.
It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there’s a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.