In the Boston Review, Jess Row wades – slowly, interestingly, not always coherently – into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really “a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?” Probably not, even granting Row’s exception. But possibly worth arguing about. If you like that sort of thing.
Theories of Theories of the Novel
“This is not a part of the entertainment here tonight.”
Recommended Reading: Brian Oliu’s “Owen Hart & The Finite Life of Ropes,” which is damn sure the best piece of writing you’ll ever read about a professional wrestler’s death.
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Edan, Meet Stephen
Our own Edan Lepucki’s whirlwind tour continues. Her debut novel California landed at number 3 on the Times Bestseller list and she celebrated with a visit to The Colbert Report. There was a bubble wrap drop. New Yorkers can see her tonight at WORD bookstore in Brooklyn and tomorrow at McNally Jackson in Manhattan. See Edan’s events page for the rest of her tour dates.
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Writing For Your Life
“I think essay and memoir hang together in a balance. There’s any number of ways to strike it, but from Montaigne on down that balance seems key to their design.” The Paris Review interviews the essayist Michelle Orange, author of the recent This Is Running For Your Life.
Violence and Darkness for Children
In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.
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The Crisis of the Canon
“I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing.” On Derrida, Foucault, and the deconstructionist defense of the canon.
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“There was a sort of magic down here.”
Moving from New York to Baton Rouge might sound extreme to some, but not to Emily Nemens. Over at Lean In, she explains how she worked her way up from graduate assistant to Southern Review coeditor.
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Gass Goes Digital
Stephen Schenkenberg paired a previously unpublished 15,000-word essay by William H. Gass with a series of abstract photographs by Michael Eastman, and he’s released the entire package as an interactive iPad e-book.
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