Now online: PEN World Voices video of Keith Gessen interviewing Vladimir Sorokin, author of the just-released Ice Trilogy and Day of the Oprichnik. I was a little nonplussed by the Times‘ decision to begin its profile of Sorokin with a discussion of his hair, but really…it is quite something. Come for the mane, stay for the acerbic insights.
Picture books have always been a good way to teach your children difficult concepts. They cover everything from bodily functions to the makeup of modern families. At Slate, Gabriel Roth writes about a picture book that taught his child about death. You could also read T.K. Dalton on teaching your children about gender.
“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
“In spite of herself, the writer has remained loyal. She is loyal to place and the past, faithfully and perpetually reconstructing it, so that no one, having read her, would ever again say, ‘What’s so interesting about small-town rural Canada?’” On a new book of selected stories by Alice Munro.
“The purpose of this initiative, and this book, is to show everybody the actual definition of impeachment as set down by the Founding Fathers, and ask whether it applies to anything that is going on now.” Melville House books has discounted copies of A Citizen’s Guide to Impeachment, which can be sent to a member of Congress of the buyer’s choice. In the meantime, maybe you’d like to get to know the other presidents?
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.