Jeff Vandermeer‘s Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful “glimpse of a whole that’s, by its nature, unknowable”? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
Late Apple co-founder Steve Jobs has been immortalized in books, documentaries, and TV specials, with rumors that his story might eventually make its way to the big screen. Now you can add graphic novel to that list; on Tuesday PC Magazine noted the release of The Zen of Steve Jobs.
Books from their own imprint we hope. “In the last decade, in fact, the celebrity imprint has become something of a cottage industry, an endeavor mutually beneficial to publishing houses in pursuit of stars and their lucrative fanbases and celebrities looking for another feather in their cap.” Some of the celebrities on this list might surprise you, read on to learn about which ones have a publishing imprint.
As part of its 2013 literary awards, the PEN American Center will grant nearly $150,000 to writers, editors, and translators through sixteen different awards and fellowships, and for the first time ever they’ve decided to publish their shortlist online. Among the finalists is Sergio De La Pava, whose novel A Naked Singularity is up for the $25,000 PEN/Robert W. Bingham Prize for a debut work. You might recall our own Garth Risk Hallberg’s profile of De La Pava last summer, and you can catch a glimpse of the author’s next book on our Second-Half 2013 Book Preview.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”