Ben Greenman, New Yorker editor, author, chart artist? The Observer explains.
The Chart Artist
Colonized
A Canadian Ph.D. student wrote (and successfully defended!) a 52,000 word dissertation that features almost no punctuation. Titled “Indigenous Architecture through Indigenous Knowledge,” the dissertation has no periods, commas or semi-colons, a choice intended to “make a point” about colonial and aboriginal identity. Canada’s National Post has the story.
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Capital Idea
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Two Dollar Radio Gets Some Press
Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
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Pre-Anderson
Who else read the biographies of historical figures as a kid and felt bad about not having learned Greek and Latin by age ten? Would you like to feel worse?
New Michael Robbins Poetry
The latest issue of Poetry magazine features four of Michael Robbins’s first “post-Alien vs. Predator” poems: “Big Country,” “Be Myself,” “The Second Sex,” and “That’s Incredible!” Robbins was also a recent participant in our Year In Reading series.