Just in time for Mother’s Day: whiz-kid chef (and friend of The Millions) Barton Seaver has just published his first book, For Cod and Country: Simple, Delicious, Sustainable Cooking. Bon appetit, Mom!
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
According to a recent survey conducted by the Pew Research Center, Americans are reading fewer books than they were back in 2014. A whopping twenty-eight percent of those surveyed reported not having finished even a single book in the past year, though the average number of books read per person last year remained at fourteen. For a little more in moderation lit, here’s an essay from The Millions on reading fewer books.
"Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class." Adam Fleming Petty on the marginalization of working class lit.
"I’ve learned that people—writers and non-writers alike—don’t like that word. Failure.... I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover." Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed "novels in drawers."
“Dr. Kristin M. Barton is seeking proposals for an edited volume … which will explore Arrested Development from a scholarly perspective,” reads a call for submissions on H-Net. I can see the titles of these essays now. Can’t you? “Desperation Economics: There’s Always Money in the Banana Stand” or “I Don’t Know What I Was Expecting: An Exploration of Dead Doves and Tragicomedy.”
Whether or not you believe that Oxford University Press is “the largest, most diverse and most respected university press in the world,” you’ll appreciate this review of a new history of the company, which goes through OUP's origins, its relationship with its namesake and the opening of its New York office in 1896.