Amazon has introduced another ad-infused Kindle ‘with Special Offers.’ You can now get the 3G model, regularly $189, for $164, if you opt for a version that displays Amazon promotions on the home screen and screensaver.
Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.
“The Colbert Bump didn’t get so much media attention and public support because everyone wanted to talk about me and my novel. People wanted to support book culture, to say that books and writers matter, and that we should be doing everything we can to ensure their continued existence, if not their success. In short, The Book is not dead!” Our own Edan Lepucki and Stephan Eirik Clark talk about their experiences as debut authors on “The Colbert Bump,” and the piece pairs nicely with Edan and Millions staff writer Bill Morris‘s article about the many paths writers follow to publication.
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
“When the French would go to serve, they often said, Tenez!, the French word for ‘take it,’ meaning ‘coming at you, heads up.’ We preserve this custom of warning the opponent in our less lyrical way by stating the score just before we toss up the ball. It was the Italians who, having overheard the French make these sounds, began calling the game ‘ten-ez’ by association. A lovely detail in that it suggests a scene, a Florentine ear at the fence or entryway, listening.” Whether it’s David Foster Wallace or John Jeremiah Sullivan writing about tennis, I’m reading it. Another three-namer, Jonathan Russell Clark, reviewed The David Foster Wallace Reader for The Millions.