Roger Ebert explains how the time-consuming process of changing the lenses on complicated new 3d projectors is diminishing the theater-going experience.
"Good political poems, outlive the events that shape them... they lead strange lives." One such poem, written after a pogrom 100 years ago, has since been translated by Palestinian resistance leaders, and more recently claimed as "Israeli" by PM Netanyahu. Some of the most notable works of the genre have been collected by Poetry. New projects in political poetry I'm excited about: online journal Matter Monthly, and Rattle's Sunday column for a political poem addressing events of that week.
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)
Last week I asked "What about J.T. Leroy?" I was wondering when the Leroy hoaxers were going to come forward. Now, one of them has. Warren St. John of the New York Times got Geoffrey Knoop to come clean on the record. Knoop also said that he didn't think Laura Albert, who wrote the Leroy books, would ever come forward: "'For her, it's very personal,' he said. 'It's not a hoax. It's a part of her.'"Meanwhile, PopMatters put together a special section about Leroy and James Frey. I enjoyed The Rake's related comments on why Frey can't hold a candle to Charles Bukowski.I saw Brokeback Mountain a few days ago and thoroughly enjoyed it. In an excerpt from Brokeback Mountain: Story to Screenplay, Annie Proulx describes what it was like seeing her story on the screen: "I felt that, just as the ancient Egyptians had removed a corpse's brain through the nostril with a slender hook before mummification, the cast and crew of this film, from the director down, had gotten into my mind and pulled out images." (via Maud)This Boston Globe column articulates quite precisely how I feel about the strife surrounding the cartoons of Mohammed published in a Danish newspaper.
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante's Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.