New York Magazine breaks down the 100+ framed book covers that bedecked the walls at the late, great literary hangout, Elaine’s. Selections range from Bob Newhart to Renata Adler to George Plimpton (natch).
Everyone Came to Elaine’s
The Millions at the Critical Hit Awards
Hooray! Electric Literature has declared Jesse Jarnow’s Millions review of Fear of Music the winner in the category of Best Deconstruction for their occasional Critical Hit Awards.
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N+2.0?
N+1 takes the brave step of making all more of its content available online, at a snazzily updated website. You might start with Mark McGurl‘s knockout piece on Zombie novels, a fitting companion to our own Emily W.’s recent work on vampires. Remember, though: subscribing “is the right thing to do.”
Launch Edan Lepucki
You have until midnight tomorrow to launch The Millions staff writer Edan Lepucki’s novella, If You’re Not Yet Like Me, which Ben Fountain calls “extraordinary.” Don’t miss your chance!
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Alex Karras Remembered
Bill Morris, clearly maneuvering for the title of Motor City Poet Laureate, follows up his piece on Detroit’s comeback with a vivid account of Lion legend Alex Karras. “Karras will always be a pink giant with a towel wrapped around his waist,” Morris writes.
The Seduction of Deductions
“Tax authorities in Finland are turning to poetry in a bid to get more firms to file their tax returns electronically.”
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Tuesday New Release Day: Egan; Eugenides; Thien; Okeowo; Solomon; St. Aubyn; Machado; Coates
Out this week: Manhattan Beach by Jennifer Egan; Fresh Complaint by Jeffrey Eugenides; Dogs at the Perimeter by Madeleine Thien; A Moonless, Starless Sky by Alexis Okeowo; An Unkindness of Ghosts by Rivers Solomon; Dunbar by Edward St. Aubyn; Her Body and Other Parties by Carmen Maria Machado (whom we interviewed recently); and We Were Eight Years in Power by Ta-Nehisi Coates. For more on these and other new titles, go read our most recent book preview.
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An American Poem
“I offer you a moody campaign!” Illustrator Nathan Gould revisits the 1992 presidential election, in which badass feminist (and really great writer) Eileen Myles ran as an “openly-female” write-in candidate.