New York Magazine breaks down the 100+ framed book covers that bedecked the walls at the late, great literary hangout, Elaine’s. Selections range from Bob Newhart to Renata Adler to George Plimpton (natch).
What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.
Book to movie news: Soon to hit theaters is a big-screen take on Allen Ginsburg’s Howl, focusing on the obscenity trial Ginsberg faced after the publication of the poem and starring James Franco as Ginsberg (alongside Jon Hamm and Jeff Daniels). (The trailer). The film includes an animation of the poem itself by illustrator Eric Drooker. Art from the animation has been collected in a new book under the title Howl: A Graphic Novel.