Filmmaker/novelist John Sayles has written a freaking huge novel revisiting the historical moment of Ragtime and Against the Day. Published by McSweeney’s (“We Print Enormous Books”), it’s getting strong pre-pub reviews.
Again, I Ask You: Is Big Back?
“Bob wasn’t the settling sort.”
I promise you that the best thing you’ll read today is this remembrance of the Kilimanjaro climbin’, chemotherapy-cocktail imbibin’, tank bustin’ and cricket playin’ life of Major Robert Crisp, D.S.O, M.C.
The Pleasure of Eavesdropping
Recommended Listening: Poet Rachel Zucker has just launched Commonplace, a bi-monthly podcast featuring conversations with poets (and other people) about quotidian objects, experiences, anecdotes, advice, and obsessions.
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Why Iceland? Is It the Cod?
VQR contributor Bill Hayes explains his reasons for visiting Iceland as often as he does, and, surprisingly, does not count VQR’s great piece about Iceland’s fisheries among them.
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Where Are You, Mr. Watterson?
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
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Not the First Ebenezer
Our own Kevin Hartnett has an interesting theory as to how Charles Dickens came up with the idea for A Christmas Carol. At The Boston Globe, he looks at the evidence that Dickens got inspiration from the amateur writings of millworkers in Massachusetts.
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The Novel vs. The Net
Sven Birkerts, still working through arguments begun in The Gutenberg Elegies, suggests in The American Scholar that “the novel and the Internet are opposites.” (via)
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The Writer’s Mimicry
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.
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