“Nearly 100 Fantastic Pieces of Journalism” from 2010, compiled, annotated, and linked-to by Conor Friedersdorf of The Atlantic. No Millions pieces here, alas, but we’re gunning for you in 2011, Friedersdorf!
This week the Band of Merry Men/Women that is of Football Book Club is reading Carmen Giménez Smith’s poetry collection Milk and Filth — and posting about Elizabeth Kolbert’s The Sixth Extinction. Also: Check in later this week for possible guest posts by Ben Carson and Donald Trump. Also: There will be no guest posts by Ben Carson and Donald Trump.
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
This week, our own Lydia Kiesling took part in The Morning News Tournament of Books, where she adjudicated a showdown between Scott McClanahan’s Hill William and Ruth Ozeki’s A Tale for the Time Being. Who went on to the next round: the trans-Pacific odyssey, or the tale of West Virginia? (You could also read our own Edan Lepucki’s Tournament contribution from last year, or else read our own Nick Moran’s Year in Reading piece on Scott McClanahan.)
Earlier this month, I wrote about Louis Menand’s recent New Yorker piece about The Life of Saul Bellow, a new biography of the Nobel laureate by Zachary Leader. Now, in the LRB, Andrew O’Hagan reads the book. Sample quote: “Bellow’s community was his subject and his subject was his voice.”
I am very sad to report that William Gay, whom we featured in our “Post-40 Bloomers” series last fall, died on Friday, at the age of 68. From Clarksville Online: “At first, I would send a story to the New Yorker and when it came back, I’d send it to The Atlantic, or Harper’s or Esquire. I didn’t know about the college literary magazines but when I found out about them, I started getting published. After I finally got published in the Georgia Review, I got a call from the editor at The Atlantic. He asked why I wasn’t sending them something because they’d like to publish my work. I told him I’d been sending things for years. He said they never got to his desk. I had to wonder what kind of operation they were running.” Look for his final novel The Lost Country, hopefully coming soon.