“Nearly 100 Fantastic Pieces of Journalism” from 2010, compiled, annotated, and linked-to by Conor Friedersdorf of The Atlantic. No Millions pieces here, alas, but we’re gunning for you in 2011, Friedersdorf!
“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
To celebrate their thirteen-month anniversary, Open Letter Books is having a sale. Buy any two books from their catalog for $22, and you are also entered to win a free subscription for a full year of their titles. Don’t know where to start? Their books include Vilnius Poker, touted as the preeminent Lithuanian novel of the past twenty years, as well as Dubravka Ugresic’s formidable collection of essays, Nobody’s Home.
Recommended Reading: In which a great translator takes on a nearly impossible project: “Schmidt violates the rules of orthography and punctuation throughout the book, and its sprawling conversations cover James Joyce, trees, magic, the moon, and Xerxes, among many other things. After getting Zettel’s Traum out of his system, Schmidt would go on to write his best works. ‘I had to write it,’ he said. ‘And such a book had to be written sometime.'”