The Observer profiles Baumbach père: Jonathan, that is, whose new novel, Dreams of Molly, is out in May from Dzanc books.
You Don’t Shoot the Beard!
Stories in Verse
In 2010, the poet Tarfia Faizullah traveled to Bangladesh to speak with the survivors of the 1971 Liberation War. Eventually, she wrote a poetry collection about those interviews, which went on to win the Crab Orchard Series First Book Award. At The Paris Review Daily, Sean Carman interviews Faizullah.
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Highly Recommended
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
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The New World hits virtual shelves
Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
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Ghosts of Novels
It’s always disappointing when your novel fails to get published, but what if that novel were still lurking online? At The New York Times, Jason K. Friedman writes about finding the Amazon and Google links for his novel that never made it to print. “Google admits, ‘We haven’t found any reviews in the usual places,’ which in this case would be the planet Earth.” Pair with: Our own Edan Lepucki’s essay on how to cope with not selling your novel.
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What Should Be ‘Forbid’
“On closer inspection, however, the book comes off as something more complicated than a flowering of one eccentric and filthy man’s erotic imagination. Its elaborate descriptions of pleasure given and taken start to seem like scrims for a moral argument about what sorts of sexual behaviors should be ‘forbid’ and which should be encouraged—an argument refined in prison by an author deeply occupied with thoughts of punishment, dissipation, and sin.” On John Cleland’s (very erotic) novel Fanny Hill and the importance of its having been written in prison.