A nice complement to Edan’s essay today about writing in Los Angeles, The Metropolis Case author Matthew Gallaway writes about the challenges of representing his home city of Pittsburgh in his fiction. “For starters, there’s the question of accuracy.”
Get your mind right ahead of the Game of Thrones Season 4 premiere by reading this just-released chapter of George R. R. Martin’s sixth Song of Ice and Fire installment, Winds of Winter. Martin told fans in a recent blog post, “The new chapter is actually an old chapter. But no, it’s not one I’ve published or posted before.”
We’re welcoming another regular to The Millions. You’ll recognize Jacob Lambert from his ongoing series “The Road (A Comedic Translation),” and he’ll be doing more humor pieces for us as well as whatever else he comes up with. Jacob has written for MAD Magazine for several years. He also has a regular column in Philly Weekly and freelances for various other publications. Welcome Jacob!
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
A new MOOC from the University of Iowa’s International Writing Program is scheduled to begin on June 28. “How Writers Write Poetry” is free and open to the public, and it will feature craft talks from poets such as Robert Hass and Kwame Dawes. A fiction-writing course is also scheduled for September. (Related: Read how several Iowa MFA students describe a typical day in the program.)