And now, Writers and Kitties, untrammeled delight. Via The New Yorker Book Bench.
Writerly Pets, cont.
They’re Not Rocks
“I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life.” This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.
73 Ways to Become a Better Writer
For aspiring writers who prefer their advice in bulk, Mary Jaksch at the Huffington Post gives 73 suggestions for becoming a better writer.
Fighting Words
Mark McGurl author of the book that got everyone talking about MFA programs, The Program Era, mounts a spirited defense against Elif Batuman’s much discussed review of the book. Among his ripostes: “One can be all for the deflation of liberal pieties without being a gleeful ignoramus about it, as though literary journalism needs its own Ann Coulter.” Zing!
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The Half-Windsor
Recommended Reading: Alex Myers’s essay “Just Like…” on Hobart. “I was seventeen, and I wanted to show him – and everyone else (most of all, myself) – that I could be a man on my own terms.”
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Cult Classic
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
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