Writerly Pets, cont.

The London Review of Books sought out Will Self to help create “a digital literary work that pushed the boundaries of the literary essay well beyond its traditional form.” The effort, they hoped, would “loosen and enhance the structure of the essay, changing the way the reader interacts with the text.” Well, consider that a success. Behold, “Kafka’s Wound” in all its multimedia glory. [Bonus: Millions readers in the UK can catch Will Self’s discussion of the digital essay on September 6th.]

“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.

“Jeopardy!” champion Ken Jennings charts “the wide, weird world of geography” in his latest book Maphead. NPR investigates his process in a “Fresh Air” interview. Scribner Books provides a small sample as well. While discussing the particulars of America’s “Road Geeks,” Jennings makes it clear to this listener that he’d probably be interested in Cynthia Enloe and Joni Seager’s The Real State of America Atlas, which was reviewed by our own Bill Morris last July.