“How can you write a complete story without a conventional plot? We often hear that in short stories, the main character must change. But in some stories, including some by Grace Paley, the characters don’t change. Instead, her stories change the reader. You’re different by the time you reach the end.” We’ve told you about The Atlantic’s “By Heart” series plenty of times before. This week, it’s Alice Mattison, who touches on everything from character development to the strange stories of Grace Paley.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
Recommended Reading: A piece of new fiction by Joanthan Safran Foer! Go check out “Maybe It Was the Distance” over at The New Yorker. Here’s a review of Foer’s Tree of Codes by Kevin Nguyen for The Millions which calls the format of the book, “a wonderful experiment in what a book can be, and also home to a mediocre novel.”