Echoing Kevin Hartnett’s new year’s resolution here at The Millions, Colson Whitehead tells writers to quit bitching about getting distracted by the internet.
The Hated Internet Time Suck
To Translate or Not to Translate
"A good translation, Han’s subconscious seems to suggest, is a living, breathing thing, which must be understood on its own terms, discovered from beneath the great white sheet." The New Yorker explores Han Kang's novels and the complex nature of translation. From our archives: The Millions review of Kang's The Vegetarian and an essay on what gets lost (and transformed) in translation.
Sick
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could...at this point, it’s perversity that keeps me writing.”
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The Ultimate Moral Rebel
Read Your Octopus
Recommended Reading: Octopus Magazine, Issue 15. It features poetry from Jason Koo, Daniela Olszewska, and Kathryn Donohue.
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The M.F.A.? C’est Super!
If you've ever wondered what the life of an M.F.A. student looks like, here's your answer.
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Sad, Sad Puppies
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself "The Sad Puppies" has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote "left-leaning messages," the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
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