Echoing Kevin Hartnett’s new year’s resolution here at The Millions, Colson Whitehead tells writers to quit bitching about getting distracted by the internet.
David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
Rejection is something all writers face and no one's pretending it's pleasant, but worse than the rejection itself are the hours spent deciphering where a submission went wrong. Thankfully Lincoln Michel at Electric Literature was inspired by a 1920s rejection slip to create a self-explanatory "thanks but no thanks" note. While we're thankful these aren't the norm, we can definitely see the appeal...
If you’ve finished winding your way through Elise Liu’s recommended New Yorker articles – which, as of this week, are free to be read online – you can start working your way through Longform’s roundup of their 25 favorite unlocked pieces. (Or you can go even bigger, thanks to The Awl.)
Ilan Stavans’s introduction to the quadricentennial edition of Don Quixote is available on the Literary Hub website. As he explains it, the narrative is both baffling and perfect: “What I like most about Don Quixote is its imperfection. I wasn’t wrong in my teens about the sloppiness of the writing; it is just that my attitude was too pedantic. It is, unquestionably, a defective narrative. Cervantes is often criticized as a numb and careless stylist.”