At The Awl, a former AOL freelancer reports on the layoff carnage there in the wake of the HuffPo acquisition.
Why do we reread novels obsessively as children but hardly ever as adults? At The Morning News, Clay Risen discusses why rereading appeals to children so much. “It was a residual sense of wonder, left over long after I had accepted that the reality on the page and the reality beyond it are distinct.” Pair with: Our essay on the pleasures and perils of rereading.
The New York Times gives Pulitzer Prize-winning historian Taylor Branch a well-deserved profile. I’ve mentioned before that his take down of the NCAA’s corruption is astounding, but now’s a good time to mention that his e-book, The Cartel: Inside the Rise and Imminent Fall of the NCAA, is even better. Branch also appeared on Wednesday night’s “Colbert Report” to discuss the book.
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.
We all probably had the humiliating experience of reciting a poem in high school. Yet at Salon, Nina Kang believes that memorizing poetry is a lost art. She blames the loss of the discipline on our tendency to skim and new poetry’s seeming aversion to memorization. “Writers actively fight against the appearance of artifice, and often instead strive for an informal, offhand tone, with that hint of clumsiness that lends a certain authenticity to the voice. It turns out this is a quality that makes the reciter’s job that much more difficulty.” Here’s our take on the lost art of recitation.