Amid recent discussion here and elsewhere about what to do about bad reviews, in the Washington Post Chris Bohjalian writes of the time he resisted the temptation to pan a book by the teacher who almost crushed his nascent literary career.
This is an interview in which five-year-old Desmond and eight-year-old Everett ask some hard-hitting questions of M. Quint regarding her new book The Defiant, and in which Jonathan Lethem makes a brief cameo to helpfully facilitate the discussion–do you need any more reason to read this piece? Here’s a quick hit from C. Max Magee, creator of The Millions, on giving the classics to kids.
Out this week: Ninety-Nine Stories of God by Joy Williams; Sarong Party Girls by Cheryl Lu-Lien Tan; Pond by Claire Louise-Bennett; Break in Case of Emergency by Jessica Winter; The Heavenly Table by Donald Ray Pollock; Miss Jane by Brad Watson; The Trouble with Goats and Sheep by Joanna Cannon; and The Invoice by Jonas Karlsson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.
Here’s a treat for all you literary legal buffs. A judge in the Middle District of Florida denied a request for a continuance in a murder-for-hire trial. But wait, it gets better. The defense attorney, Frank Louderback, is a perennial contestant in Hemingway Look-alike Society’s annual Ernest Hemingway Look-alike Contest, held in Key West each year, and the purpose of Louderback’s continuance was so he could travel to the Conch Republic for the competition. The judge denied the order by citing Big Papa himself. (via Nate Harris)
In a piece for Aeon, D. Watkins – who previously blew onto the scene with his Salon essay, “Too Poor for Pop Culture” – looks into “the two Baltimores” he has known. Tracing the city’s history back to the Civil War, he defines the city as “a place split on ideologies because it’s too south to be north and too north to be south.”
I’m feeling surprisingly broken up about this: Reading Rainbow comes to the end of its 26-year run on Friday.