In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”
“The older I get, the more my own boundaries seem to be fading, which is terrifying and fascinating in equal measure.” For The Paris Review, Lucie Shelly interviewed Lauren Groff about nature, spirituality, and her newest collection, Florida. (Our review called the collection “startling and precious.”)
BuzzFeed is launching an Emerging Writer’s Fellowship, complete with $12,000 stipend, and Saeed Jones, whose poetry collection Prelude to Bruise was released last year, will be their new Literary Editor. Electric Literature talked to Jones about digital journalism, the need for diversity in writing and publishing, and what he’s looking for in Fellowship applicants.
Are you familiar with Spook magazine founded and edited by Jason Parham? It focuses on promoting artists of color and their work. This month the fiction issue, was released and it features work from beloved writers (and Year in Reading alums!) Junot Diaz, Angela Flournoy, and Vinson Cunningham. Along with YiR favorite Justin Torres. You can buy it here! Perfect read for the snowy weekend.
David Risher founded the nonprofit Worldreader program in 2009 to distribute Kindles to children in the developing world. His aim was to increase literacy. Today the program has shared over 200,000 e-books with children in Ghana and Kenya, and Risher and his colleagues hope to allocate 10,000 reading devices by 2013.