What's better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
We like big books and we cannot lie. But are books just continuing to get longer and longer? A new survey of bestsellers has concluded that the average book is now 25% bigger than its counterpart fifteen years ago. The Guardian investigates. Mark O’Connell at The Millions has his own theory about long books.
The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn't miss is "The Wire" writer and producer George Pelecanos alongside series cast members. They'll discuss "issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history." Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to "Why The Wire (Still) Matters".
"Being a judge for the Man Booker prize has at times felt like being part of a team of archaeologists excavating some vast buried city. Once the dust has settled – after nine months of reading – you stand back to survey your labours and realise all that’s left is a small pile of gleaming fragments. I hadn’t expected the process to be quite so emotionally exhausting. Nor had I thought it would be quite so exhilarating." In case you're curious, a Man Booker Prize arbiter offers up his reflections on the judging process. See also: the shortlist itself, which has surprised many readers!
Want to reverse a book ban? Start giving away free copies of the novel at your bookstore. Earlier this week, we reported that Ralph Ellison's Invisible Man was taken out of the Randolph County, NC school curriculum. But less than week later, the ban has already been lifted due to intense community backlash and a local bookstore undermining the decision. Board member Matthew Lambeth said, "I felt like I came to a conclusion too quickly."
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn's "Critic's Manifesto" may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. [...] One might say that New Yorkers like the folks in 'The Beach Boy' are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”