The New York Times looks at new technological efforts to make book signings work in the age of the ebook. One idea is an e-reader add-on that lets the reader snap a photo with the author, which the author can then sign with a “digital stylus.” The photo is meant to make its way to Twitter and Facebook, of course. “Bragging potential? Endless,” says the Times. Authors: get ready to say “cheese”?
Another week of literary contests has whittled the Tournament of Books field down to four: Freedom, A Visit From the Goon Squad, Next, and The Particular Sadness of Lemon Cake. Today, the team offers more analysis, previewing and recapping. Up next: the semis, the Zombie round, and the grand finale.
Get your Bloomsday fix with our James Joyce quiz. Or you can celebrate with Emily M. Keeler, The Atlantic, a BBC dramatization, and Colm Tóibín. You can also read an excerpt from Ulysses over at Berfrois. Plus there's a 'Ulysses Seen' smartphone app (which is viewable online).
"To the pathless wastes, into thin air, with no reviews, no best-seller lists, no college curricula, no National Book Awards or Pulitzer Prizes, no ads, no publicity, not even word of mouth to guide me!" For her new book The Shelf: From LEQ to LES, Phyllis Rose undertook the ultimate stunt in writing-about-reading: an unsorted shelf with no logic at all.
There are plenty of new books to this week to fill that post-election void: Both Flesh and Not: Essays, a posthumously published collection from David Foster Wallace; Barbara Kingsolver's Flight Behavior; Prosperous Friends by Christine Schutt; Magnificence by Lydia Millet; and These Things Happen, a debut by longtime TV writer Richard Kramer. From the indies, we have The Care and Feeding of Exotic Pets by Diana Wagman and Keyhole Factory by William Gillespie. Also out are Philip Pullman's new version of Fairy Tales from the Brothers Grimm; Hallucinations by Oliver Sacks; and a big new Michael Jackson biography by a former Rolling Stone editor.
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.