Could this be the start of a trend? HarperCollins paid the singer Billy Joel $3 million for a memoir back in 2008. Joel wrote The Book of Joel, the publisher edited it, and a June publication date was set. Last week, however, Joel abruptly backed out of the deal and apparently will return the portion of the advance he’s been paid. His reason? He told the Associated Press he “was not all that interested in talking about the past.”
Going to SXSW this year? Be sure to check out the "Too Long, Didn't Read" panel our own C. Max Magee is sharing with Bygone Bureau editor Kevin Nguyen and The Morning News co-founder Andrew Womack. The Saturday panel will focus on the "renaissance of long-form writing," and location details can be found here.
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach's The Art of Fielding, John Darnielle's National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg's upcoming City on Fire, about "The Art of Agenting." Pair with our own Edan Lepucki's conversation with her agent, "Don't Ever Do It for the Money," and with the opening lines of City on Fire, a Millions exclusive.
"If Nietzsche was right that we need our illusions, I’ll go one further and posit that we need our illusionists: to disprove our eyes, investigate our dreams, and sometimes charm the money from our pockets." Here's a fantastic essay from The Rumpus on psychics, love spells, and easy exits.