Nicholas Dames is a wonderful writer, and I suggest you read his essay on the “crisis” in the Humanities.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
We can’t stop gobbling up Elena Ferrante’s Neapolitan novels, but we also won’t stop asking who Elena Ferrante really is. Why do we need to know the author’s true identity, asks Electric Literature? (Our own Michael Schaub revealed that he was Elena Ferrante earlier this year.)
A big haul of new books this week. At the top of the list is Chad Harbach’s much anticipated debut, The Art of Fielding. Also new this week: the new Christopher Hitchens collection Arguably, Lily Tuck’s I Married You for Happiness, Nuruddin Farah’s Crossbones, and Anna Solomon’s debut The Little Bride. Sebastian Barry’s Booker long-listed On Canaan’s Side is now available in the U.S. And Great House by Nicole Krauss is now out in paperback.