A dissection of Jonathan Franzen’s recent New Yorker essay on David Foster Wallace finds Franzen’s wires showing.
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
Sara Majka’s debut collection Cities I’ve Never Lived In is forthcoming from Graywolf Press. At Longreads, check out one of her short stories from the collection on working in soup kitchens across the country. Pair with our celebration of Short Story Week for recommendations, reviews, and more.
"Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward." Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.