All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It’s shaping up to be a fun night; hope to see you there!
At The New Yorker, Sarah Miller humorously learns why only positive book reviews might be a bad thing. “If St. Petersburg is the Little Engine That Could of city names, then the main character, Raskolnikov, is the Little Engine That Could of elderly pawnbroker murderers,” she writes in her review of Fyodor Dostoyevsky’s Crime and Punishment.
“Mr. Fogg assured us he would touch down at our place at precisely 8:45 in the evening. Imagine our delight when he not only arrived with all the punctuality befitting an Englishman, but also quite literally touched down! In a hot air balloon!” Introducing literary couchsurfing.
“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).
“’These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,’ Beard said. ‘And, of course, having eyes to see them—that’s what the trick is.’” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon‘s article on “Why female writers get trolled the most.”