All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It’s shaping up to be a fun night; hope to see you there!
You Are Invited
Tuesday New Release Day: Canin; Jansma; Majka; Griffin; Kennedy; Perabo; Dacey; Montes
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
Mere Electronic Wallpaper
Remember that time that sci-fi master J.G. Ballard predicted the rise of social media all the way back in 1977? Neither did we. Bonus: here’s a Millions review of Ballard’s Kingdom Come.
Cultural Commentator
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
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Perfect Punctuation
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An Examination of the Trauma Plot
The ways we write about trauma have evolved. "In a world infatuated with victimhood," Parul Sehgal writes for The New Yorker, "has trauma emerged as a passport to status—our red badge of courage?"
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