All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It’s shaping up to be a fun night; hope to see you there!
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
Punctuation can be as important as the prose. At Vulture, Kathryn Schultz discusses the five best punctuation marks in literature. The list includes this delightful parenthetical from Lolita, “My very photogenic mother died in a freak accident (picnic, lightning) when I was three…”