Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
Tuesday New Release Day: Sorokin, Perec, O’Nan
“I was born as a woman, I talk you to death”
Recommended Reading: “The Hypno-Domme Speaks, and Speaks and Speaks” by Patricia Lockwood, which has been in my head for two days now.
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A(n Induced) Standing Ovation
Science now confirms what’s long been suspected by people related to theater kids: “the quality of a performance does not drive the amount of applause an audience gives.”
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“Bourbon does for me what the piece of cake did for Proust.”
Recommended weekend reading: Walker Percy’s “Bourbon, Neat.”
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The Contrived
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
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Authors on Trump
A formidable group of authors, including Year in Reading alum Joyce Carol Oates, Steven Pinker, and Rich Benjamin, comment on Donald Trump’s rise to power. You could also consider this literary cage match between Trump, Faulkner, and Hemingway.
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Poetry Rocks
Split This Rock’s Tenth Annual Poetry Contest is now open for submissions, judged by Sheila Black. All prize winners will be invited to read at the 2018 Split This Rock Poetry Festival and have their poems published in The Quarry.
The Curse of the Diaeresis
Okay, so the deal with the famed and occasionally disdained New Yorker umlaut on words like “cooperate” is that it is not an umlaut, it is a diaeresis, and they’ll be holding onto it, thank you very much.
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