New this week is The Tiger’s Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker’s 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian’s Three Stages of Amazement. David Brooks’s latest pop sociology effort The Social Animal is now out — this one, excerpted in the New Yorker — sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan’s Solar, and Rebecca Skloot’s non-fiction blockbuster The Immortal Life of Henrietta Lacks.
Tuesday New Release Day: Obreht, Edgarian, Brooks, Gordon, McEwan, Skloot
Acts of gruesomely violent chivalry and vehicular aggression.
Yet another entry for the list of all time greatest single-purpose tumblrs: Witless Innuendo, bringing you “a collection of those end-of-review warnings from The New York Times‘ film critics.”
What About Your Head?
“None of us made love, we had only reproaches for one another. I hated that dependency and yet I couldn’t live without it.” This short piece by Mercè Rodoreda from the new issue of Harper’s Magazine is brutal and surprising. The piece is an excerpt from Rodoreda’s War, So Much War, out later this month.
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Isaac Asimov Takes on ‘The Bible’
What happens when one of the "Big Three" science fiction writers decides to take on the most widely read book in the world?
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New from John Ashbery
Recommended Reading: New poetry from John Ashbery in the January 18th issue of the New Yorker. If you’re looking for inspiration, read Ashbery, “buy a bottle of wine and stay up all night drinking it while producing an imitation” of the poet’s work.
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The Philosopher’s Lunch
“Another example of Chomsky humour: he calls his assistant’s dog, ‘Cat.'” Financial Times sits down for a meal with linguist and philosopher Noam Chomsky.
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How To: Write Difference
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
“Dear Son.”
Recommended Viewing: “The Mysterious Arrival of an Unusual Letter,” which is a Scott Wenner film based on a poem by Mark Strand.
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Fahrenheit 32
Say the books in your Encyclopedia Britannica are moldy, unread and obsolete. You know you could burn them or throw them away, but somehow, you can’t do either. Why not?
Also out in paperback today: the Thousand Autumns of Jacob de Zoet. And tomorrow, Next by James Hynes