The folks at The New Yorker’s Book Bench offer their take at The Late American Novel: Writers on the Future of Books. (Spoiler Alert: Katherine Hepburn gets a shoutout.)
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
Husband and wife writing duo Matthew Seal and Julie Bruton-Seal will launch their new book, Make Your Own Aphrodisiacs, just in time for Valentine's Day. The couple, who live in Britain, (and who are by no means spring chickens), are encouraging people to look at natural ways of boosting their libido and to remove some of the myths and taboos surrounding aphrodisiacs.
"By now, you are probably asking yourself, Did these two ever talk about anything serious? Of course, we did. We talked about how writing a poem is no different from taking out a frying pan and concocting a dish out of the ingredients available in the house, how in poetry, as in cooking, it’s all a matter of subtle little touches that come from long experience or are the result of sudden inspiration." Charles Simic writes movingly about his friend, the late poet Mark Strand, and their various schemes, from buying palazzos to founding a gastronomic poetry movement, for The New York Review of Books.
"Mr. Walt Whitman has imagined that a certain amount of violent sympathy with the great deeds and sufferings of our soldiers, and of admiration for our national energy, together with a ready command of picturesque language, are sufficient inspiration for a poet. If this were the case, we had been a nation of poets." A young Henry James reviews Whitman's Drum Taps.
Recommended Reading: On Patricia Highsmith, Carol, and being the queer daughter of a queer mother: "I am doomed to die an ugly death or at least to be separated from my partner, probably violently. So is my queer mother and my partner and my cousin and many of my friends. We are all doomed, it seems, because this is the only story American media tells about queer women."