The folks at The New Yorker’s Book Bench offer their take at The Late American Novel: Writers on the Future of Books. (Spoiler Alert: Katherine Hepburn gets a shoutout.)
The New Yorker on The Late American Novel
Get Bent, Collier County.
The MFA program at Florida Atlantic University launched Swamp Ape Review, a new national online literary journal. For their first print issue, which is set to publish next year, they’re accepting submissions from writers in South Florida, such as Martin, St. Lucie, Palm Beach, Broward, and Miami-Dade counties. For a nice primer on the journal’s namesake (or, rather, its alias), I direct your attentions to Bill Kearney.
●
●
James “Faulkner” Franco
James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
Never Before Seen
The world’s oldest multicolor print book has just been opened for the very first time, and what does one do with a never-before-seen artistic treasure? Scan and upload it to the internet, of course.
●
●
Wizard Jail
Recommended Reading: Hannah Rose-Woods on totalitarianism in the wizarding world.
●
●
High Praise for Rebecca Solnit
In a new issue of N1BR, Nikil Saval takes a look at Rebecca Solnit‘s latest, calling its predecessor River of Shadows “surely one of the best books of the past decade.”
●
●
Illustrating the Cave
TED-Ed illustrates Plato’s allegory of the cave in this fun video.
●
●
Critical Texts
Louis Menand writes about why the women’s movement needed The Feminine Mystique (despite its shortcomings). You could also read a review of Rebecca Jo Plant’s Mom, which looks to The Feminine Mystique to understand why our culture blames mothers.
●
●
I’ve Got Ideas
If you have a blog, you’ve probably fielded suggestions from your relatives about what you should write, who you should write about and what personal issues you should address in your posts. At The Hairpin, Michelle Markowitz shares a conversation with her mother on the subject.
●
●