A pair of pieces from The Millions are among the finalists in this year’s 3 Quarks Daily Arts and Literature Prize: “Her Story Next to His: Beloved and The Odyssey” by Frank Kovarik and “Reading and Race: On Slavery in Fiction” by our staff writer Edan Lepucki.
"I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world." Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
Great posts over at Sarah's blog and at M.J. Rose's about where books sell the most copies (think Wal Mart) and why Amazon rankings don't mean much in the way of book sales. (via Tingle Alley)They've announced the nominees for the Quills Awards - an attempt to build a book-focused version of the typical, bloated TV awards show. The nominees seem to be stale mix of award-winners and nominees (NBA, Pulitzer, etc.) from the last 18 months and middlebrow bestsellers that aren't particularily literary, but aren't outright trash either. Will anybody watch this? I mean, I like books, but yawn.For the last two weeks, Harry Potter #6 has "been the top-seller in every single one of The Book Standard's 99 local-area charts. But this week, a glimmer of hope appeared for other authors, as The Book Standard charts registered a change - one single change." How a "conservative talk-radio personality" unseated Harry Potter in the Bristol-Kingsport-Johnson City, Tennessee, area.Godzilla pauses for a moment before his rampage. Click it. It's funny.
Librarians might frown on P.D.A. in the library, that is, Public Displays of Affection by canoodling college couples. But another kind of P.D.A. might bring a different, more welcome sort of disruption to the library: Patron-Driven Acquisition, a model of e-book licensing that aims to relieve library purchasing agents from spending thousands on books nobody will end up reading.
"Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain," Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.