In his inaugural column for The New York Times Magazine, former New York Magazine critic Sam Anderson expands upon the idea he shared with us in his “Year in Marginalia,” his riff on our big Year in Reading series. And, as a sidebar to Anderson’s column, the Magazine has published a brief excerpt of John Brandon’s compelling essay from The Late American Novel: Writers on the Future of Books (perhaps you’ve heard that title mentioned around here lately?)
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.
Want a write a great short story? Here’s a chance to learn from MacArthur Fellow, New Yorker “20 Under 40” writer, and Year in Reading alum Yiyun Li. Her new 45-minute Skillshare class, Writing Character-Driven Short Stories, is now available and included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
“A chemist colleague of mine runs a seminar in which art and science are brought together. And one such session was devoted to olfaction. And there was an olfactory physiologist from Columbia and a friend of his, a parfumier. Forgive my French accent. And the parfumier had made something unlike anything ever encountered on earth. And it had a very strong smell which aroused no associations and could not be compared to anything. One realized this was absolute novelty.” The Rumpus interviews Oliver Sacks about his new book, Hallucinations.
Look, it’s hard being the bloodthirsty kingpin of a multinational drug smuggling cartel. Apparently Joaquín “El Chapo” Guzmán has been feeling a bit sorry for himself post-capture, so what did Eduardo Guerrero, head of Mexico’s prison systems, think would cheer him up? He brought him a copy of Don Quixote.
“I know the words for elk and water. There are other Shawnee nouns as dense as koans with metaphor and meaning, but they remain inscrutable to me.” Poet Laura Da’ authors the most recent Rumpus Saturday essay, a stunning meditation on concessions made to both the body and the body politic. A member of the Eastern Shawnee Tribe of Oklahoma, Da’ is the author of Tributaries, a 2016 American Book Award winner. See also: our review of Philip Meyer’s latest novel, The Son.