The Faster Times offers up a new dialogue from dynamic duo Jon Cotner & Andy Fitch’s “Conversations over Stolen Food,” which seamlessly segues from Astroglide and Fung Wah buses to Alaskan Brown Bears, and includes a run-in with New York Park Patrol. Images by Paper Monument editor Dushko Petrovich are added eye candy.
This fall the University of Iowa’s International Writing Program is offering a free, 7-session live online Advanced Fiction Seminar. The course will run from September 16 through October 28, and it will be taught by fiction writer Nate Brown. Best of all? It’s open to anyone with an internet connection. Applications are due September 6th.
“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Jeff Ragsdale (Jeff, One Lonely Guy) produced, shot and edited an “immersion documentary” in which he accompanied Canadian escorts on hundreds of calls over a span of several months. The half-hour film is entitled “30 Nights with a Call Girl.” Millions readers may recall Ragsdale’s work from its mention in our own Sonya Chung’s essay “On Loneliness.”