It was probably inevitable that someone would turn the ravings of Charlie Sheen into found poetry. But unlike similar collections “by” Donald Rumsfeld and Rod Blagojevich, this one offers us the opportunity to compare it to the real thing – Sheen’s early ’90s chef d’oeuvre, A Peace of My Mind.
In Meg Wolitzer’s new YA novel Belzhar, a group of teenagers packed off to an idyllic boarding school learn that they have the ability to undo their most serious traumas. Their discovery is sparked by a writing assignment in a class on Sylvia Plath. At Slate, Jennifer Ray Morell connects Wolitzer’s novel to Plath’s classic The Bell Jar. Related: our own Hannah Gersen’s interview with biographer Elizabeth Winder.
“But reading Finnegans Wake is more than a matter of collecting one’s favorite quotations – even if there is a huge pleasure in that, especially if you admire truly terrible jokes.” Michael Wood writes an essay on James Joyce, Lewis Carroll, and the origins of clever wordplay for the London Review of Books.
Here’s a piece of news you likely didn’t see coming: David Duchovny has published a novel. Titled Holy Cow, it deals, in the words of interviewer Taffy Brodesser-Akner, with “a traumatized cow, a sassy turkey and a pig converting to Judaism.” She talks with the X-Files star in this week’s Times Magazine.
Authors, are you struggling to get your book’s characters together? Are they lacking a little spark, a little intimacy? Well, have no fear. The folks at Open Road Media put together a video with Erica Jong, Lawrence Block, Patricia Gaffney, and a few more authors on The Art of Writing Sex Scenes. This should do the trick.
“I’ve been writing about ‘real’ characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.