Amid further discussion and exploration of marginalia, a discovery of cartoon marginalia in the New Yorker archives.
Cartoon Marginalia
In Memoriam William Trevor
“To get me through a 550-page collection, the stories must be very good indeed. These are.” When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. “Trevor’s writing is so perfect that you don’t even notice it’s perfect,” she wrote. “He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear.”
Updike the Cartoonist
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
Dear Jack
Saul Bellow met Jack Ludwig at Bard College in the fifties. The two became friends, and founded a magazine together, called The Noble Savage. Then, not long after the magazine began running, Ludwig started an affair with Bellow’s wife. Here’s the letter Bellow sent him when he found out. You could also read our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
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St. Crispin’s Day is Here Again
Today is St. Crispin’s Day, a day immortalized in Shakespeare’s Henry V when the title character rallied his British “band of brothers” to face their French adversaries. And according to Guy Patrick Cunningham, “there are lots of ways we can celebrate it.”
Let the Wild Rumpus Begin
Dave Eggers shares the skinny on his forthcoming Where the Wild Things Are project – including an excerpt of the novel and the killer trailer for the movie version – with The New Yorker.
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Tuesday New Release Day: Didion, Freud, Obreht
This week’s big book release is Joan Didion’s memoir Blue Nights. Also out is Esther Freud’s Lucky Break and new in paperback, Téa Obreht’s The Tiger’s Wife (our review).
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Shared Terror
“On the level of narrative possibility, I was really drawn to the sense of aloneness that rose from so many of these images—the terrifying possibility of being the last person left on earth, or even the last person left in a neighborhood, a swamp, a freeway. That stark haunting irony of living in a world of excess that has eventually collapsed on itself, emptied out.” Guernica interviews Leslie Jamison and Ryan Spencer for their new collaboration, Such Mean Estate.
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