The Ripped Bodice (the only bookstore in the United States dedicated solely to romance books) released a report looking at the state of diversity in 2016 romance novels. Last year there were only 7.8 published romance novels by writers of color for every 100 books from 20 major romance publishing companies. “Of particular concern is the suggestion, as revealed by the study, that publishers are not reflecting their readership base with any kind of parity. According to Pew Research, black women with college degrees are more likely to read a book than any other group. Since romance readers are approximately 84 percent female, this suggests there is a large swath of the population who don’t see themselves represented in authors or protagonists.” Entertainment Weekly highlights some major takeaways from the survey, read the rest of the appalling stats and then go support romance writers of color.
A professor at Clemson University believes he’s identified the fugitive slave who was harbored for one night in the home of Harriet Beecher Stowe. Moreover, the professor believes that the man was “an inspiration for the novel [Uncle Tom’s Cabin]. I think his pain touched [Stowe] and helped her to act.”
Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.
Novelist and blogger M.J. Rose thinks authors’ personal marketing efforts should be more substantially rewarded; Robert Miller, president and publisher of HarperStudio, responds with a proposal to restructure the author-publisher relationship into 50-50 profit-sharing, as HarperStudio has done.