Three Guys One Book takes an early look at The Late American Novel (co-edited by yours truly and featuring three Millions writers as well as a number of other literary luminaries) and sees it as a great introduction to a whole group of exciting writers. The book has been spotted on shelves in the wild, and we’ll be updating news about the book here. (Readers can also follow the book’s official Facebook page to keep up on events, reviews and other goodies.)
TLAN News
Saving Hughes’s House
Last-minute signal boost! You have a few more hours to donate to I, Too, Arts Collective's campaign to convert Langston Hughes's former home into a non-profit cultural center. See also: our own Emily Wilkinson’s review of his Tambourines to Glory.
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Once Upon A Time
Ignore films like Memento when writing, Steve Almond argues, and instead focus on old-fashioned devices like narrative, plot, and character development.
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To the Inferno
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Poetry Can Be Anything
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
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Shaking Down Cage the Elephant
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde's understanding of intellectual property, and an ethnography of readers at Borders.
Patrick and I just bought our copy!