A handy infographic explaining why PBS, in the face of a resolution in Congress to eliminate its federal funding, deserves our support.
In the pages of the Washington Post, the venerable Miss Manners responds to an English department secretary who feels “besieged by fringe ‘academics’ who are very adamant that we are part of a conspiracy to cover up the fact that Edward de Vere, Earl of Oxford, was Shakespeare.”
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O'Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Sloane Crosley, this year's editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.